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5 Thursday, April 29, 2021 GO! magazine — A&E in Northeast Oregon The STORY behind the MCU’s fi rst Black Captain America ■ SPOILER ALERT: This article contains spoilers for the first five episodes of “The Falcon and the Winter Soldier” Tracy Brown Los Angeles Times In the penultimate episode of “The Falcon and the Winter Soldier,” Sam Wilson (Anthony Mackie) fi nally gets back Captain America’s shield and chooses to accept the mantle. “What would be the point of all the pain and the sacrifi ce if I wasn’t willing to stand up and keep fi ghting?” he says before a training montage that shows his growing mastery of the shield. Since premiering last month, the Disney+ series has explicitly confronted the complicated legacy of what Cap’s shield represents and the complexities of what it means to be a Black hero in America. At times it has been the show’s “villains” that have offered the most incisive commentary. Karli Morgenthau (Erin Kellyman) points out in episode four that the “shield is a monument to a bygone era. A reminder of all the people history just left out.” In the same episode, Baron Zemo (Daniel Bruhl) posits that “the desire to become a superhuman cannot be separated from supremacist ideals.” That these points are raised by villains complicates the messaging, but they are still emblematic of the ideas Sam must grapple with be- fore choosing to take up the shield. Like other offerings from the Marvel Cinematic Universe, “The Falcon and the Winter Soldier” is not a direct adaptation of any specifi c comic book storyline. But there are comic book infl uences throughout the show. In the comics, the mantle of Cap- tain America passed from Steve Rogers to Sam Wilson in 2014. In “Captain America” No. 25 by writer Disney+/Marvel Studios/TNS Anthony Mackie plays Sam Wilson (aka the Falcon) in “The Falcon and the Winter Soldier.” Rick Remender and artist Stuart Immonen, an aged Steve gathers the Avengers to introduce Sam as the new Captain America and hands him the shield. This leads into the launch of the “All-New Captain America” comic book series (also by Remender and Immonen), which sees Sam take on missions with Nomad, a superhero codename used by Rogers’ adopted son, Ian, and occasionally check in with Steve himself. But while the series touches on the existence of some civilians who don’t accept Sam as the new Captain America, it’s not until 2015’s “Captain Ameri- ca: Sam Wilson” — by writer Nick Spencer and artist Daniel Acuna, as well as others including Paul Re- naud and Joe Bennett later in the run — that Sam is shown taking a clear political stance. In “Captain America: Sam Wil- son” No. 1, Sam thinks, “Shouldn’t Captain America be more than just a symbol?” and decides to make his opinions known because he believes that could lead to positive change. Instead, he faces more backlash. “Captain America: Sam Wilson” also engaged with several major political and social issues during its run, including immi- gration, the border and policing. (This was also the comic book run that introduced Joaquin Torres, who eventually became the next Falcon.) One of the most signifi cant char- acters “The Falcon and the Winter Soldier” has introduced to the MCU is Isaiah Bradley (Carl Lumbly), who in episode fi ve explains to Sam his experience of being forcefully experimented on at the hands of the government during the Korean War. According to Isaiah, “no self- respecting Black man would ever want to be” Captain America. Isaiah’s MCU backstory is very similar to that of his comic book counterpart. Isaiah was introduced in writer Robert Morales and artist Kyle Baker’s 2003 comic book se- ries, “Truth: Red, White and Black.” In this miniseries, a group of Black soldiers is experimented on by the government’s secret super soldier program during World War II. The super serum in this phase is wildly unpredictable, but Isaiah is among those who endure the procedure and is turned into a super soldier. He is sent on secret missions with his squad, eventually emerg- ing as the sole survivor of the experiments. Despite his heroism, he is ultimately court-martialed for stealing a Captain America uni- form (which he had used to carry out a mission Steve Rogers was late for) and serves years in solitary confi nement. These are just a few of the “Cap- tain America”-related comic book series that have addressed racism. The ongoing nature of comic books means these storylines are regu- larly rebooted and history is rewrit- ten; Sam’s run as Captain America in the comics lasted only until 2017 and he has since reclaimed the title of Falcon. “The Falcon and the Win- ter Soldier” is Marvel’s chance to leave a bigger, more lasting impact. Specializing in HOMETOWN Real Estate Keisha Anderson Real Estate Agent 541.910.8827 www.johnjhoward.com Mobile App
